Dp barbara alvarez imparts a restrainedand very strangespatial texture to lucrecia martels excitingly splintered third feature, about a woman a stunning maria onetto in a state of phenomenological distress following a mysterious road accident. Acclaimed argentinean filmmaker lucrecia martel steps back behind the camera for her third feature film with this tense thriller concerning a woman who fails to recognize the people surrounding her as well as their intentions after inadvertently killing a dog while driving on the highway. Una mujer, en una distraccion mientras conduce, atropella algo. A mysterious and intriguing tale of a woman who may have killed someone or something while driving on dirt road. This is not only her most focused film, but it makes use of a more developed cinematic technique than either of her previous two films. Feb 18, 2010 maria onetto and ines efron in the headless woman photograph. Film studies spanish and latin american literature and culture. The film opens with three young boys running across a road into adjacent fields, they shout good natured obcenities at each other. Afi fest 2008 presented by audi usa dirscr lucrecia martel prod pedro almodovar, augustin almodovar, esther garcia, veronica cura. One of the boys begin to climb the ladder of an advertisement sign, as the others chase one another in the dry canal next to the road. While driving down a deserted road, her cell phone rings and she digs into bag to retrieve it, taking her eyes off of the road at a critical time. Dazed and confused, she tries to piece together what happened, while her husband systematically tries to erase her tracks. Dvd ive ever purchased that had no option for turning off the subtitles.
As this program describes, narrative art forms were essential to making sense of. A pitchperfect, scientific dissection of the immediate aftereffects of a shock or trauma. The headless woman moves to the beat of its own drummer, which is argentinian director lucrecia martel, and if one is able. She hit something and simply drove away from the scene. Veronica maria onetto is an active woman with a busy life. At first the latin american auteurs longawaited new film looks like it is about to build the same edgy mix of. A single use of strong language fk occurs in a playing discussion between a group of boys. In the days that follow, she seems to disappear, b. Fixed on veros profile from the passengers seat, it.
Durante este trayecto, atropella a algo o a alguien pero, aturdida y confusa, decide seguir adelante sin mirar atras. Afi fest 2008 presented by audi usa dirscr lucrecia martel prod pedro almodovar, augustin almodovar, esther garcia, veronica cura, enrique pineyro, lucrecia. The plot revolves around vero short for veronica onetto, who hits something while driving on a deserted road near salta. Existential by which i mean a characters actions have consequences or, if they dont, there is still the lingering sensation that they do. The headless woman moves to the beat of its own drummer, which is argentinian director lucrecia martel, and if one is able to go with it its quite an existential trip. With maria onetto, claudia cantero, ines efron, cesar bordon. After hitting something with her car, a bourgeois argentine womans. The accident scene please note that since i wrote this, the specific video has been removed from youtube. Lucrecia martel geheimnisvolle pracht programme volksbuhne.
Maria onetto and ines efron in the headless woman photograph. Figure 3 veronicas figure is blurred by the rain the extract is important because it is the triggering event of the plot and it also. Temerosa, vai embora sem parar e guarda esse segredo. After running into something with her car, vero experiences a particular psychological state. Veronica is driving her car when, in a moment of distraction, she crashes into something. Careful and slight, lucretia martels headless woman doesnt fit neatly into a clear storyline, but supports itself with ethereal visuals. Its refusal to divulge almost any background information about its characters or their relationships puts the viewer in a perpetual state of anxiety, as any sort of coherency or intelligibility to the events on screen is continuously delayed.
67 90 514 707 1021 1641 246 504 1630 154 1300 1499 1425 1171 1231 1186 507 899 1455 1009 912 967 520 1073 505 859 302 131 1058 55 448 382 1418 1094 1235 331 1144 1173 505